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Nevertheless, the way in which Dorey treats both Susan and Bryan is fairly shocking, but she does warm to the fact that if Kringle proves he is the true Santa, per Kringle and Susan’s agreement, then she will accept it as well. This may, however, tie into the fact that Susan is mature for her age and perhaps, in addition to wanting to protect her from disappointment, her mother feels that Susan would think the idea of Santa Claus in nonsense anyway. At first, she is a bit repulsive in the way she treats Susan like a contemporary and not a child, namely the fact that she does not want Susan wasting her time with legends and traditions. Perkins’ character has a well-developed arc. Susan is wise well beyond her years and viewers will remember the charm of this character.Įlizabeth Perkins and Dylan McDermott also provide good performances. The manner in which Wilson delivers Susan’s well-spoken lines is masterfully executed. The observations and statements Susan makes shows that she understands more than the story’s adults would like to admit. She effectively communicates Susan’s child-like innocence on the one hand, and her being a very mature and aware character on the other hand. Mara Wilson also delivers an incredible performance. From his costuming to character absorption, Attenborough’s performance will not soon be forgotten. Attenborough’s persuasive portrayal of Kringle and his jovial demeanor will likely have viewers accepting that he is in fact Santa Claus. Richard Attenborough and Mara Wilson are standouts, however. The movie’s performances are pretty good. This is evidenced throughout the movie, particularly by the juxtaposition of Susan and Byran’s views and Kringle’s unfaltering claim with Dorey and her staunch disbelief in Santa.
#Elizabeth perkins in miracle on 34th street movie#
The movie also has tonal elements of conviction and believing what you want, even if others do not believe the same thing or discourage you from accepting something they do not. It is hopeful, overall, but that is challenged when viewers are presented with a dire situation once Kringle becomes the target of business competition. Miracle on 34th Street’s tone appropriately shifts with the narrative. Miracle on 34th Street timespan benefits the story it portrays. Doing so is well and good, but it creates a different perspective on time. Some films’ settings only cover the time from Christmas Eve to Christmas morning or a few days before Christmas.

This manageable time frame provides enough time for good character and narrative development while not being so macro that it dilutes its development.
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Though a Christmas movie to its core, Miracle on 34th Street takes place between Thanksgiving Day and Christmas Day. The movie’s pacing very well done and is a hallmark of the movie.
